"Ballade langoureuse [à nouveau situé dans la ville d'Auckland] qui s'interroge au passage sur les nouvelles mïurs musicales, le nouvel opus de Chad Taylor dégage une atmosphère assez unique. Pas de doute, le Néo-Zélandais possède un son bien à lui." (Livres Hebdo). Read more...
"New Zealand writer Chad Taylor plays with the crime/noir genre for his own philosophical purposes in an open-ended way that subverts reassuring convention... Taylor in effect has taken the not-knowing at the mystery genre's core and enshrined it, occupied its amorphous territory and made of it, as in this book's emotional peak, a luminous art." (Houston Chronicle) Read more...
"First and foremost it is an accomplished noir thriller. Taylor has a fine feel for detail, a strong sense of how to build tension and his prose is clear and uncluttered, with mesmeric undertones. Noteworthy contemporary fiction." (Time Out) Read more...
"Imagine Raymond Chandler filing from New Zealand with a little help from Anne Rice and Jean-Paul Sartre, and you're still not close to imagining the oddity of this weird, wonderful novel. Taylor's structural instincts are so unerring and his tersely elegant language so seductive that the story never once falters - even as it morphs from a murder mystery into an exploration of passion and mortality." (Entertainment Weekly) Read more...
"An adroit stylist with a penchant for the eccentric and the grotesque. He relishes turning over literary stones and observing the creatures which scuttle out from under them." (North & South) Read more...
"Wonderfully urban... A formidable skill with words." (Evening Post) Read more...
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